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Mark Canada, Ph.D.'s avatar

Thank you for this interesting and insightful post. Like you, I have a soft spot for opening lines, but you have expanded my understanding of their value. I tend to think of them as opportunities to engage the reader with something striking and clever, but I take your point that they also should give the reader a sense of the voice and tone. You say, "The opening line also contains a little foretaste of everything you will find in the rest of the story." Yes! I have struggled over the opening lines of my novel (not yet published), striving to get them just right. I'm happy with most of the rest of the novel, but I keep revising the opening.

Anyway, I will mention one famous opening line that did not appear in your list: "Call me Ishmael." For most people, I don't need to explain that it is the opening sentence of Herman Melville's Moby-Dick. That says something about its fame. As for its effectiveness as an opening line, I appreciate its brevity, which gives it punch. As an imperative sentence, it also engages the reader as literally the subject of the sentence. The allusion of Ishmael carries in meaning outside the text (as allusions naturally do). Finally, the line slyly conveys that we do not know--and perhaps will not know--the narrator's true identity, as he is giving us a name to call him, not his real name.

Your post has inspired me. For my Mind Travel newsletter, which appears weekly here on Substack, I am going to write a post on great lines that are not opening lines. Look for it in August. Thanks for the inspiration!

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Jack Haynes's avatar

Call me Ishmael - Melville

The sun shone down on the nothing new - Sam Beckett

I am an invisible man. Ralph Ellison

It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. - Jane Austen

Mother died today. Or maybe, yesterday; I can't be sure. - Albert Camus.

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